‘And I will give him a white stone, and on the stone a new name written, which no one knows except him who receives it.’ — Revelation
One of the things that immediately draws me in to this contemplative, deeply introspective, novel is the way that Fosse speaks of faith.
From the epigraph on, faith is a recurring theme. We read the quote from Revelation (above), and then open to the very first page where Asle has painted a picture “with the two lines that cross in the middle, one purple line, one brown line…and I’m thinking this isn’t a picture but suddenly the picture is the way it’s supposed to be…” (p. 12)
I carry blithely on in my reading, marking more passages pertaining to faith such as this one:
“…it’s always, always the darkest part of the picture that shines the most, and I think that that might be because it’s in the hopelessness and despair, in the darkness, that God is closest to us.” (p. 96)
and this:
“…I say that no thing, no person, creates itself because it’s God who makes it possible for things to exist at all, without God there’s nothing, I say…since nothing can exist without God sustaining it, without God having made it exist, given it being as they put it, then it’s He who is, it’s He that everything has in common, yes, God says Himself, about what we should call Him, that His name is I AM, I say…” (p. 99)
And then suddenly, a thought begins to crystallize in my mind about Asle, the one who is a painter in Dylgja sharing his thoughts with us, and Asle, the one who is shaking from drinking too much in Sailor’s Cove. These are the points I want to talk about in future posts.
I do hope you have a chance to read this with me. There’s so much I want to discuss…
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